|
AKG C 214 CONDENSER MICROPHONE |
AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. |
|
|
FXpansion BFD 2 |
BFD2's easy to use interface is redesigned from the ground up to give you more power and control for shaping your drums than ever before. It's fast and easy to set up and integrate into your digital audio workstation |
|
|
ECHO AudioFire Pre 8 |
The AudioFire Pre8 offers the same high quality hardware and software found in our AudioFire line, but with the added convenience of 8 auto-sensing universal inputs featuring Echo's Brilliant™ preamp technology. |
|
|
KORG PA50 SD |
As a songwriting station or as a back-up band, you can be sure the Pa50's performance will be truly musical. The Pa50 combines enhanced sequencing functions, powerful performance features, custom backlit LCD, comprehensive arranging tools and impeccable sound quality. |
|
|
Schecter Blackjack |
An arched mahogany body and 3-piece mahogany set neck with Schecter's Ultra Access heel contour makes the C1 BlackJack ATX FR so comfortable to play, it almost becomes an extension of your body. |
|
|
KORG X50 |
The X50 music synthesizer; packed with Korg's distinctive and world-renown sounds, designed for easy and intuitive operation, and features an ultra-light and compact design that's ideal for the active musician. |
|
|
| |
|
| |
Lewis Pragasam |
| |
Lewis Pragasam is one of the most highly-regarded musician to emerge from Asia. He is considered virtually an icon in Malaysia and has been hailed as a mucis legend in Asia. Lewis Pragasam has garnered international critical acclaim as one of Asia's leading percussionists and an an innovator of new trends in world music. He is the founder and moving spirit of the pioneering Asiabeat project, which started in 1979, whose recordings and performances are now legendary in the merging of Asian and Western musical styles. [ Read More ]
|
| |
|
| |
|
| |
|
|
